In 1994 I started writing what I envisioned would be a rock opera called “Elizabeth’s Lullaby.” It was loosely-based on a friend of mine whose life always seemed on the verge of caving in. I was both fascinated and jealous of the delicious tumult she was spinning in. I felt dull next to her and strangely wished that I could be more dysfunctional. I recorded only one song from the project, and lost interest shortly after.


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